Twelve Months, Sixty Dollars, and a Playstation 2: January

Prologue
Okay, so my favorite local second hand, MUST HAVE MUSIC AND MORE, has a slew of Playstation 2 games and recently I discovered that a great number of them are being sold for the low, low price of $4.95.  For those of you who have been following along at home, this is how I came across Pryzm , Chapter One: The Last Unicorn, that little gem that I alone made famous last year!  As I was browsing through the stacks the other day I saw a good number of these $5 games that looked at the very least interesting, if not potential diamonds in the rough.  After thinking it over I came to a conclusion:  The PS2 has a vast library and very few catch the attention of the popular culture, but lots and lots of games get released. Somewhere in those stacks of discarded, unloved games must be some really great games just looking for someone to play them and at the risk of five dollars a go, I think it’s worth finding just what is out there.  The result is this on-going experiment, a journey that you and I are going to take through the unwanted library of the PS2.  So strap in, kiddies, we’ve got twelve months, sixty dollars, and a Playstation2 and we’re about to discover what we’ve been missing!

January

Brave: the Search for Spirit Dancer
Evolved Games

Our journey begins with the little game that could: could have been better if it had been more challenging and a little deeper.  Brave: the Search for Spirit Dancer is much like a “my first adventure game” for 10-12 year olds.  There is plenty of action, but only a mild level of difficulty. The story is simple and the quest straightforward.  There are things to discover and areas to explore, but not terribly much to find.  The game follows the tale of a young Indian brave, aptly named, who sets out in search of the great Shaman Spirit Dancer to help save his tribal lands from the evil Wendigo.  Brave’s quest is one of personal growth as he learns who his true father is (I’ll let you guess…) and discovers his own potential.
The game isn’t bad, as a matter of fact it is very fun and the story and characters are engaging despite lacking depth.  The game’s biggest weakness is its lack of challenge.  Some parts of the game are tough, beating the rock monsters in the Volcano level, but any part of the game can be overcome with a couple of tries.  Sometimes levels seem impossibly short when a much larger, deeper level would be extremely welcome.  Conversely, the game’s greatest strength is its great variety of level design.  Some levels are straightforward adventuring, some have you guiding an out of control canoe down rushing rapids, others have your soaring on the back of a giant eagle dropping boulders on enemies or plucking them off the back of stampeding buffalo.  Like I said, there is a variety of things to do.  And best of all, the levels are fun to play; heck they’re even fun to replay, which is good because the game doesn’t have too much else in the way of replay value.  The game boasts hidden totems in each level to seek out and find, but the only thing you unlock by finding them is concept art, and that’s really a hit and miss kind of reward.  That said, I’ll probably play through the game again at some point to find them all, because that’s what I do.  The final battle with the Wendigo is pretty awesome as are many of the action sequences, but there just isn’t as much game here as there should and could be.  It took me a little over 5 hours to beat it on the first try. Not really want you want from a modern game that probably retailed at no less than $30.

Graphically, the game is pretty sound.  The environments are lush and the colors are vibrant.  I cannot decide if the character renderings are slightly racist or just highly stylized, but all in all they are harmless and sometimes bigger social hang-ups are only really there if you want them to be, so I’m going to assume that they are just stylized and whimsical and be happy with that.  The music is very cool and moody and fits the game perfectly.  And for once a game features voice acting that, while a bit cartoonish, isn’t the most painful thing I have ever heard.

But the big question remains, is Brave: the Search for Spirit Dancer worth the Lincoln I sacrificed to obtain it?  Absolutely.  There are far worse ways to spend $5 on a video game, heck there are far worse games to spend ten times that on.  Brave isn’t going to be the next Castlevania, despite the recent Wii release entitled Brave: A Warrior’s Tale which by all reports is the same game with a few extra levels, but it is certainly a game worth playing, and doubly so if you have smaller kids who are looking for something fun to play without having to resort to games about gang violence or WWII.  I would venture to say that my first foray into the $5 world of the PS2 was met with moderate success. 

Next month I’ll be spending my allowance on ROBOTECH: Battlecry, is it worth $5?

A Closer Look at Spider-man for the PSX

As most of you probably know, I am a HUGE Spider-Man fan.  HUGE.  I have an entire upstairs filled with Spider-man comics, toys, posters, plastic banks, toothpaste, cereal, even pillows.  Spider-man was my hero when I was a kid.  To this day I have a slavish, idealistic vision of Stan Lee’s greatest creation.  Even though the comics aren’t as good as they used to be, I still buy Amazing Spider-Man every month; I feel I owe it to the wall-crawler after all he has given me.  I have mental problems.  That notwithstanding I am a HUGE Spider-Man fan.

When I was a kid playing the Atari 2600, I made an incredible discovery: Parker Bros. had granted me the opportunity of a lifetime, I could be Spider-Man.  Around 1982, Parker Bros. released a Spider-Man game for the VCS and I had to have it.  Sure, the game wasn’t much, climbing a building, snagging some bad guys and avoiding the Green Goblin, but it was Spider-Man, alive and under my control!  Thus began my love, and hate, affair with Spider-Man video games.
Later offerings would fail to wow me the way this initial foray into the pixilated Marvelverse did.  LJN released an entirely unspectacular Spider-Man game for the NES.  The premise was perfect: Spider-Man vs. the Sinister Six, six of his greatest foes, but thanks to the half-hearted efforts of the programmers at LJN the game turned out to be virtually unplayable.  Don’t think I didn’t try.  The Gameboy proved to be a bit more successful in bringing the web-head to life, but the original game was a little tricky to control and rather short.  On the Super Nintendo and Genesis Spider-Man games showed more promise with better controls, bright, colorful graphics and increased depth.  However, the games quickly revealed themselves to be repetitive side-scrolling fighting games that weren’t different enough from the thousands of other similar games that flooded those systems.  The addition of new and playable characters like Venom and the close tie-ins to the contemporary comic book storylines were a big plus, but they turned out to be really nice set dressing on what could have been a Double Dragon or Batman game.

Then it came. The promise of Spider-Man action like it had never been before.  Controlling Spider-Man in a completely wide-open three dimensional world, the ability to web-swing between skyscrapers,  fighting Spidey’s rogue’s gallery and saving the city, it was all going to be a reality and it was going to happen on the Playstation.  I owned a Playstation!  The math is really rather simple.  Anticipation was high and rumors flew regarding who was going to be in the game and what it was really going to be like.  Then, the game arrived…and it was amazing!  It was everything it promised.  Oh sure, there were little things to nitpick: the “mysterious” grey fog that enveloped the lower half of the city (very convenient Neversoft, very), the tunnel-vision story line that allowed for some exploration, but ultimately never strayed too far from the track, the camera angles were at times abysmal, but overall this game delivered everything it promised.  Packed with tons of bag guys, dynamic fighting controls, a dedication to the creative use of Spidey’s web shooters, a variety of level designs and goals, and boatloads of unlockables and hidden areas, Spider-Man for the PSX delivered in a big, big way.  I should know, I played the game through about a dozen times, at least once with every unlockable costume, and I explored every, and I mean every, inch of the playable areas.

And clearly, I was not alone in my estimation of just how good this game was.  Subsequent Spider-Man games for advancing modern systems all seem to take their cue from the ground that was broken by this game.  From its sequel, Spider-Man 2 Enter: Electro to even the most recent Spider-Man movie games, Spider-Man game play has evolved from the primordial ooze that is Spider-Man on the PSX.  So the question remains, when a game sets the stage for the future development of its franchise, can the original possibly stand the test of time?  (Last month I wrote an entire article analyzing this phenomenon, good reading) There is only one way to find out: fire up the Playstation!

And I did.  It was very difficult to resist the urge to just re-up one of my old save files and play as the Amazing Bag-man, or Spider-Man 2099. (The invincible allure of playing as Captain Universe Spidey still gnaws at me…)  But resist I did.  If I was going to give the game an honest shot, it needed to come from playing it through again as if it were new. 
It takes a few seconds to readjust to the controls, what I imagine it would be like were someone from today to revert to driving a car without power steering, but once I got used to the moderately jerky nature of Spidey’s turns, I was off and swinging.  The first level is really just a tutorial, as is to be expected, but there is plenty of webslinging to do and lots of bad guys to web up and punch out.  It’s nice that this sort of thing is here, because while not as tricky as learning the controls the first time around, it is helpful to have a low pressure area to regain your bearings (no matter how many times Spidey reminds me that I have to use his Spidey-compass to find the bank.  You’d think he might already know where the bank is, being the spider-about-town that he is. And furthermore, “Spidey-compass???”  But I digress…).

Who lives here, I wonder?

The levels progress from there in good order, some require you to liberate hostages all stealthily-like lest the terrorist shoot them point blank (and oh hell yes they will, too!);  some have you making a mad dash across the city either to save J. Jonah Jameson from the Scorpion or follow Venom to his hide-out to save Mary Jane.  Intermixed are plenty of good old fashioned 3-D explore-and-fight levels where you have to find this or that, destroy a certain something, or make your way to the end of a given area.  There is one particularly maddening level where you must ride atop a subway train whilst fending off scores (and I mean scores) of lizardmen without falling to your doom.  That level is a menace, even for experienced gamers.  Another very cool level has you deep in the sewers, where, if you poke around a bit, you might just stumble into the hidden lair of the Lizard! Interspersed amongst the various levels are some engaging boss battles against classic Spider-man villains like the Rhino and Mysterio.  The boss battles require a nice blend of brute strength and brains (ala luring Rhino into electrical conduits to stun him so you can bash him with oil drums) and are tough without being tedious.

The story is remarkably deep with several plot twists and comic book style character plotting.  There are cameos galore from nearly all of Marvel’s heavy hitters of the era (curiously absent is Wolverine, unless you count that billboard…).   The game feels like playing a Spider-man comic from the 1990’s which is pretty much exactly what you want from a game like this.

Goodies Galore!

I was truly surprised at how well the game has stood the test of time.  The gameplay graphics are solid, not great, but solid.   The level design is dynamic and holds mostly true to its promise of being a free-roaming, if a bit limited, three dimensional adventure.  The combat is dynamic as well: bad guys can be defeated a number of ways, fisticuffs, webbing, a combination of the two, tossing them off the side of a building, you get the idea.  The web swinging is a lot of fun and you can swing just about any way you want, even zip from surface to surface on webline!  Spidey is also able to crawl on virtually any surface, wall or ceiling, something I honestly wouldn’t have expected from an early attempt at a game like this. There are plenty of power-ups, secret areas to explore, and hidden unlockables to seek out that give the game enormous replay value.  (I really cannot describe fully just how much stuff there is to find and unlock and how many times you are going to want to replay this game) This game also harkens from a nearly bygone era where once the game is beaten you can give it another go on HARD mode.
Of course, it isn’t all sunshine and roses.  The game is dated in a number of ways.  The cut-scene graphics are just plain terrible.  As I recall, even for the time they were pretty bad, and time has not been their friend.  The characters are very blocky and their movements are reminiscent of those puppets on strings that are so damn creepy I will find them and kill them…DIE YOU HORRIBLE PUPPETS!  DIE! (Sorry, got stuck on a thing there…)  The game also suffers from miserable voice acting, but I’ve long since given up on getting good voice acting from a video game.  Beyond that there are some of the long aforementioned minor quibbles.  Occasionally the camera will get stuck behind something and make a jump nearly impossible.  You don’t get to go street level and explore the entire city (we’ll have to wait until the Ultimate Spider-Man game to go there), but considering what you do get, this is a minor point.  And perhaps the biggest drawback:  the game is quite short.  I realize I am playing this again after having worn it out ten years ago, but it only took me about 8 hours to get back through the game.  I had forgotten a great number of the levels, but still managed to work it out in fairly short order.  This is where the replay value saves the day. You see, beating the game on normal level unlocks the Black Costume Spider-Man, and I defy you not to play the game again with that costume on.  It cannot be done.  But that said, the game can be completed pretty quickly even if you are figuring things out for the first time.
 
Final Look
Quibbles notwithstanding, I would have to say that overall, Spider-Man for the Playstation has successfully stood the test of time and while a bit dated, is just as much fun today as it was when I first spun the disc way back when.  As a matter of fact, after I finish typing this, I’m going to have to get some screenshots and chances are good that is going to result in me playing through the game again, at least one more time!  Maybe it’s just the Spidey fan in me, but I still love this game!  If you are looking for a nice trip down memory lane or just want to see how your favorite modern Spider-Man game got where it is, I still highly recommend Spider-Man for the PSX.

Spidey may be gone, but stick around for Tips & Tricks!

Join me next month because I’m going to stir the pot a bit and probably make a few people mad or at the very least scratch their heads.  You’ll never disagree with me more than you will after next month’s Closer Look!


TIPS AND TRICKS

SPOILER ALERT!!  This section may contain plot information or reveal aspects of the game better left to discovery.  Proceed with caution.

Explore, explore, explore.  Except for the levels where time is of the essence (i.e. chasing Venom or the Scorpion), take your time and crawl over every building and swing to every ledge.  Sure, your Spidey-Compass, and Spidey himself, will nag you incessantly about getting to wherever it is you are supposed to go, but you can ignore that all you want.  You’ll have to cover every corner of the playable area if you are to find all the unlockable comics and costumes, etc.  Also, there are some real treats for Spider-man fans like myself.  Some of the hidden areas are just too cool to miss.  I’ll not ruin them for you by listing them here, although there are plenty of good Walkthroughs out there that can point you to them if you like.
Some locations and objects will generate context specific dialogue from ol’ Spidey.  Swing over to the Baxter Building (Four Freedoms Plaza depending on the era, I forget) in level one, for example.


Remember, you are SPIDER-MAN, and one of your key abilities is being able to stick to any surface.  You can save yourself a lot of headaches if you spend as much time on ceilings and walls as you do walking around on foot.
Remember, you are SPIDER-MAN, and another of your key abilities is to web swing.  You can quickly span great distances or zip from a wall-to-wall or wall-to-ceiling using your web shooters.  This can help you avoid tedious enemies, dodge attacks, or find hidden passages.  Just be sure you watch your web fluid.

When fighting the Scorpion, keep your distance.  Scorpy’s tail is quick and almost always knocks you down.  Your best strategy is to attack from afar by tossing office equipment at him to get his attention, then when quarters get close, give him a few kicks to the carapace and then haul ass out of there.  Repeat.
Boss levels almost always contain a hidden comic book.  If there is no urgency to defeat the boss, take a second to look around, break some things and see what is what.

Impact webbing will be your best friend later in the game.  It is the only way to defeat Mysterio and it takes down Lizardmen from a safe distance.

When taking on the Rhino, you obviously have to ram him into the electrical generators, but if you are careful, while he is still recovering from the jolt you can use that opportunity to heave an oil drum at him and take him out in short order.  If you cannot get the timing right, then a few trips into the barrels matador-style after he has exhausted the generators should do the trick.  Just jump straight up when he charges at you (and, you know, be sure you are standing in front of some oil drums…)

On the subway ride, stick to the middle of the car (unless you really need a power-up) and use a combination of kicks, impact webbing and web shields to keep the lizardmen at bay.

When battling Venom, both times, use impact webbing and stay the hell away from him.  If you get close enough to punch, he can level you with one good smack, or worse he can snag you with the symbiote and initiate some truly dreadful voice acting that you’ll get sick of really fast.  Impact webbing does a ton of damage and will take him out in short order.
Be very careful when saving Mary Jane.  Venom can activate any of four different switches to fill the tank she in dangling in with water.  What is worse, so can you! And you probably will a million times if Venom jumps out of your way as you fire impact webbing at him.  Close quarters fighting is even worse as multiple punches can toggle the switch off and on repeatedly, causing MJ to freak completely out and whine like there is no tomorrow.  Keep your distance, use the impact webbing and keep an eye on the tank.  If you see water starting to fill, find out which switch is responsible and turn it off fast.  If you miss Venom and hit the switch yourself, be sure you turn it back off immediately before trying to find Venom again.

Fire webbing is essential against the symbiote spawn.  It is the only thing that can take them down with any speed.  Hand-to-hand is a sure way to get your Spidey-butt kicked, so keep your distance and shoot the Fire webbing at them.

In the fight with Carnage, you have to trap him in the Sonic Bubble and hold him there so the sound waves can take him out.  Once in the bubble, well timed impact webbing can keep him there until he expires.   If you have a moment, take a good look outside the windows as Carnage is getting his due…




Escaping from the final level is a trial and error learning experience.  Expect to die a few times before you get out.  Once you know the layout of the route, web-swing to dramatically increase the distance between you and Monster Ock.  You can also zip-line up and immediately web-swing over when you ascend to a new level.  There is some generous lead time, but Monster Ock will catch you if you dally too long.

All this time, Doc Ock just needed a good hug!  Who knew?!

RUN.  I'm not even kidding.

Once you think you’ve seen and done everything this game has to offer you, enter the following code: GBHSRSPM.  I promise you a very good time on this run through of the game.

As you encounter different characters you will unlock their profiles in the extras section. Like these lovely, if mightily polygonal, ladies.

Or this curious fellow...

A Closer Look at Going Home Again in the World of Video Games

A Closer Look at Going Home Again in the World of Video Games

Thomas Wolfe broke the bad news to us about thirty years before Pac-man gobbled his first dot, “You can’t go home again.” Wolfe wasn’t writing about video games at the time, but his themes of change both personal and environmental extend even into our modern technological age and yes even to video games.  I have experienced this phenomenon numerous times in my long love affair with the pixilated media, but it became even more salient recently upon purchasing Mario Kart Wii.

Allow me to start by saying that Mario Kart Wii is perhaps the greatest kart racing game I think I have ever played (and that puts it up there with Crash Team Racing for the PSX).  The game is ground-breaking in terms of innovation and game play.  One of the coolest features in the game is the ability to play older tracks from previous incarnations of the Mario Kart franchise.  It was this that sent me down the inevitable road to disappointment.  So enamored was I with the sleek controls and bright colors of Mario Kart Wii that I was prompted to revisit the previous best Mario Kart racer I had ever played: Mario Kart 64.  Mario Kart Wii features a couple of tracks from that blast from the recent past and playing those gave me a longing for those days of yore.  Thus, back to the N64 went I.  And therein lays my mistake.  Thanks Thomas Wolfe.

As the video game industry becomes more and more advanced and modern games get deeper and their complexity increases, the merits and faults of classic games are becoming glaringly obvious.  One of the consequences of our rush toward into the future of gaming is the difficulty of returning to classics we once loved.  This difficulty is multiplied when the classics we are revisiting have been updated in more modern versions of the game.  Hence my disappointment upon plugging Mario Kart 64 into my console.

It’s not just the fact that Mario Kart Wii implements a new, unique and innovative control scheme, although that does make going back to a D-pad or analog stick a bit mundane.  But Mario Kart Wii is such a leap forward in terms of graphics and game play that going back to Mario Kart 64 is very difficult.  Mario Kart 64’s graphics were awesome for their time, but when held up against the bright, detailed tracks of Mario Kart Wii, they seem cardboard cut-outs in a 3-D world.  What’s more, the kart dynamics are sluggish and awkward next to the seemingly flawless kart mechanics of Mario Kart Wii. In the Wii version the karts (and motorcycles) are a seamless part of the environment and they move and interact with the other karts and background elements naturally.  In my revisit of Mario Kart 64, the karts felt clunky and looked like they had been pasted onto the background, as if you took the background away and they would just keep on going through space without need of a playfield.  The game still played pretty well, though not as smooth as the Wii version and the fun was there, but somehow diminished.  It didn’t take very long for the 64 version to go back on the shelf and the Wii to get fired back up.  Thanks again, Thomas Wolfe.

Sadly, this isn’t the first time this has happened to me.  Now that I think about it, there have been several times in my gaming history that I have attempted to revisit older games that have had more modern updates and found the older games wanting. Rogue Squadron and Rogue Leader present another example of this phenomenon.  I loved Rogue Squadron for the N64 and played it to death, but after moving on up to Rogue Leader on the Gamecube, trying to play Rogue Squadron is like trying to wear great looking pants that are three sizes too small.  No matter how badly I wanted to run those missions again, the controls were just too clumsy and awkward.

Nice, shiny, and slick!

Still nice, but a bit clumsy

Even Spidey knows these two are worlds apart!

And the phenomenon isn’t just limited to games; genres can undergo this as well.  Fighting and sports games are perfect examples of how modern games can render older games completely obsolete.  Soulcalibur and Soulcalibur II changed the face of fighting games forever, particularly 3D fighters.  Even great older fighting games like Tekken do not hold a candle to the majesty of Soulcalibur, which when released was actually better than its arcade counterpart!  If Tekken cannot hold up, lesser fighters are reduced to an unplayable mess.  Don’t believe me? Try playing Star Wars: Masters of Tera Kasi.  Similarly, the constant evolution of the Madden football franchise is practically geared toward outdating its previous incarnations.  With each new year a newer and flashier version of Madden Football is released with more whistle and bells, online support, updated player rosters and the previous year’s game is forever lost in the discount bin of the local second hand video game store.  Hell, you can build a house out of unwanted, outdated sports games for the N64 alone!  I personally own Madden '93, 2000, 2001 and 2008 and have played them only during the year in which they were released with the exception of Madden '93 which still rocks!).  For kicks, I once put Madden ’00 in my PS2 just to see what would happen.  First and foremost, this happens to be one of the games that is not backwards compatible with the PS2, so that was interesting enough, but second, the game was practically unrecognizable when compared with more recent versions, even next generation versions for the PS2 (even when played on an original Playstation)!
 

The phenomenon isn’t limited to video game consoles either.  Perhaps one of the most glaring examples of games being outpaced by their modern counterparts can be found on the PC.  Computer technology is obsolete by the time it hits the market and I cannot tell you how many times I have purchased a new PC one year and a new game the next only to find that my computer isn’t powerful enough to run the damn thing.  That quibble aside, computer games possess a special vulnerability to this phenomenon due to the very nature of their medium. My wife loves, and I mean loves in that very unnatural way, the Sims games for the PC.  She owns practically all of the expansion packs and other accoutrement for the original game and a healthy compliment of add-ons for sequel offering Sims2.  While the original Sims still holds a special place in her heart, she simply cannot play it very long anymore, not after playing Sims2.  According to her, Sims2 provides a much fuller gaming experience, filling in gaps in the original game and building upon its foundation.  These new additions and enhancements create a rich experience that satisfies in a way that the original no longer can.  In my own experience I can attest that I found similar difficulties with Roller Coaster Tycoon.  Roller Coaster Tycoon 2 is for all intents and purposes almost exactly like the original Roller Coaster Tycoon with some crucial upgrades and improvements.  Graphically, the games are nearly identical.  The game play is foundationally the same.  Yet there is enough of an improvement that it is very hard to play the first Roller Coaster Tycoon again.  The coaster building and landscaping interfaces are much improved.  The new kinds of attractions and amusement park themes are rich and diverse.  And these things are just enough to make it hard to return within the confines of the original game.  Damn you Thomas Wolfe!

In studying this phenomenon there appears to be at least a semblance of reason to it.  It seems there are some games that are immune to the syndrome, some games that are particularly vulnerable to it, and some games that float in the middle.  The games that seem the most vulnerable are those mentioned above including but not limited to racing games, fighting games, and sports games.  These games tend to get outdated by improvements in their next iteration.  There may be some appeal to the earlier versions, but chances are good the improvements make dull the luster from the older game.  Sometimes this is due to a new level of depth or complexity that is made possible by later versions; Gran Turismo certainly takes a beating from this.  Sometimes it is due to game play improvements that a more powerful gaming platform allows; hence my aforementioned trouble playing Rogue Squadron.   And sometimes, as with sports games, it is just the nature of the game to have the newest version outpace the older ones, as with Madden and other sports titles.

Whatever the cause, there are certainly types of games that suffer from being outmoded by their latter counterparts.  The interesting thing to me is that graphics are rarely the determining factor.  Sure, nearly 99% of the time, the newer game is going to look better than its older cousins, but that is not generally enough to render an older game obsolete.  My wife makes a hard case for the original Tomb Raider succumbing to this phenomenon due to its incredibly blocky graphics, especially when compared to more recent releases such as the Anniversary version for the Wii or other modern systems.  Being a die-hard fan of the early series, I contest this, but I can see her point to some extent.  Still I maintain that the original game is fun enough on its game play merits that I can look past the polygons and still enjoy the ride.  That example notwithstanding, it seems that graphics are a minor player in this particular phenomenon.

I did notice one interesting exception to this phenomenon, however, directly related to my Mario Kart experience: sometimes if you go back far enough, you can in fact go home again.  While I was not able to recapture the magic of Mario Kart 64 after playing Mario Kart Wii, I did find that I was still able to enjoy Super Mario Kart for the SNES.  So perhaps some games are able to skirt the phenomenon if their history is rich enough and if the most recent game is sufficiently removed from the original offering.  I would like to try to make the same case for the Madden NFL series.  As mentioned above, I still have Madden ’93 for the SEGA Genesis and I still play it and it is still fun.   As long as you are not too wrapped up in using fifteen year old players and viciously limited playcalling, the game still has much of its original appeal.  Since nearly all of the players featured are retired and the divisional alignments are no longer valid, the game is almost like playing an even earlier football game like Tecmo Bowl, where teams and players really had no bearing on the game play at all.  So while I cannot plug Madden ’01 into my PSX and relive the magic, I can dig a little deeper and get back to a place where the earlier versions still retain some of what made them great.  This unique situation may also shed some light on why some games are immune to this phenomenon.

And thankfully, there are a whole slew of games out there that appear to be immune to this “can’t go home again” syndrome and interestingly enough these games are predominately adventure/RPG games.  No matter what year it is, I can always plug The Legend of Zelda into my NES and get the same charge out of it I did back in 1988.  The same goes for Castlevania, Metroid, Pitfall II, Super Mario Bros., Final Fantasy VII, and a host of others.  These games do not seem to diminish at all from having newer chapters added to their lineage.  In some cases the mystique and charm is actually increased by the addition of the newer games. And the determining factor seems to be story.  Most of the games I have mentioned either are rooted in a specific story or are a chapter in a larger story that has unfolded as more games are added to the series.  This is definitely true for the Zelda and Metroid series.  The fact that the game develops as a story also develops makes each game unique and doesn’t ask it to stack up against later games in the series.  Of course Link to the Past isn’t going to be the same as Phantom Hourglass, they are two totally different games with totally different stories that ask you to do totally different things, all the while preserving the flavor and character of the overall series.  As long as the games are well made and the game play is good, chances are they are going to stand the test of time and the release of bigger and better games in the series.

The other games I mentioned, Super Mario Bros., Pitfall, Castlevania, survive for an entirely different reason.  While those games may part of a larger story or world, subsequent editions in the series function more like extensions or supplements to the original game.  Super Mario Bros. 3 is just as much fun as Super Mario Bros. despite SMB3’s obvious superiority because the games don’t really compete for the same spotlight the way their kart racer cousins do.  Furthermore, Super Mario Galaxy can be just as fun as either of those two older games, because it has taken the basic concept and applied it in a way that neither of the earlier games could even attempt.  It’s still platforming fun, but it is sufficiently different without outdating its predecessors. Take that Thomas Wolfe!

The defining factor seems to be related to application of the theme.  If the theme is kept true, but re-imagined in unique and different way, then there is a good chance you’ll be able to go home again.  However, if the theme is kept true and the execution of that theme is maintained without significant change, but the primary adjustments are to peripherals like game play, controls, options, or graphics, then chances are going home again is going to be difficult and perhaps disappointing.  Preservation of the theme is vital to the success of any game series (look what happened when they tried to re-invent Lara Croft…).  The theme can undergo evolutions and changes, but it rarely survives a complete overhaul.  Even when the Castlevania series shifted from strict platforming to a non-linear exploration game, they kept the theme by remaining true the existing story and adapting the original platforming design to accommodate the new direction they were taking the series.  The same can be said for Metroid when they changed to a first person shooter perspective, the exploration that made the initial games such a success were maintained while the gaming style was diversified.  However, preserving the theme and updating the set dressing without evolving the theme in some way can quickly render an earlier version obsolete.  And in cases like the Sims and Roller Coaster Tycoon, evolving the theme can even be dangerous if doing so doesn’t change enough about the theme to make both the newer and older versions uniquely appealing.

It is a tricky thing going home again in video games.  Sure, you may have great memories of you and buddy staying up all night for one more game of Wrestlemania on the NES, but that may not mean that Wrestlemania is still as good as you remember, especially if you’ve played anything more recent.  Games that are modern versions of older classics that have updated the peripherals, controls, graphics, etc., but not changed the fundamental game play are going to make it hard to enjoy those original games.  Going home again is a function of gaming’s evolution as we move toward sometimes better, always more powerful games.  The true test of a game’s staying power is directly related to its development over time.  Games that develop naturally and grow beyond their beginnings manage to maintain their charm and appeal, no matter how much better the games in the series get. So, Thomas Wolfe, you can go home again, but you have to be careful which home you are going to.

Pitfall Harry says, "Thomas Wolfe is a punk."

 Join me next month, when I’ll take a Closer Look at the Spider-man game that ushered in a whole new era of web-slinging and see how time has treated it. 

Closer Look Thanksgiving Special

A Closer Look Thanksgiving Special

What's Thanksgiving without a little Turkey?

Ah, Thanksgiving: a time for giving thanks, by definition.  Thanksgiving: a time for gathering with family and feasting on the bountiful harvest of the past year.  Thanksgiving: a time for tryptophan-induced comas and Aunt Edna’s mini-crumb cakes that nobody likes, but everybody pretends to eat by the dozens.  Maybe this Thanksgiving for you, but for me “turkey day” means only one thing: an entire day of uninterrupted football.  That’s right, no work, no worries, just football.  The reason Thanksgiving was invented: football.  Football is a Thanksgiving Day tradition since the first pig gave up its precious hide that it might be carried 100 yards for six glorious points.
 
As of late, however, the traditional teams that play on Thanksgiving Day have been a little less than spectacular (particularly you Detroit Lions).  Yet there is good news!  If the games fail to be as enthralling as maybe they should be, the realm of video games provides a bounty of great football games to fill the gap.  Obviously in the time in which we live the absurdly successful line of Madden NFL games is the go-to in the event of a complete Dallas Cowboy collapse.  But don’t be so hasty to grab that XBOX360 controller!  Classic systems have a lot to offer in the way of football fun.  Sure, they lack the depth of modern games. You can’t own a franchise and trade players, you can’t run a hot route if you see a Cover 2 defense (chances are good a Cover 2 defense is going to be out of the question anyway), heck the players may not even have names or be recognizable as humans, but old school football games still have a lot of charm and can be a lot of fun.

That is the focus of this Closer Look Thanksgiving Special: Classic football games from my favorite system, the Atari 2600.  Yes the ol’ VCS features a veritable host of tackle football* games, from the simple, and succinctly named Football, to more thrilling titles like Super Challenge Football, and even the recently released BLiP Football!  But can football games for the 2600 be any fun at all?  Heck, can they even really capture the essence of the sport with a system that has such limited capabilities?  Let’s find out.

*Please do not confuse tackle football with that sport that little girls and Europeans play called “soccer.”  While some call this sport “football” from time to time, it should not be confused with the American sport that men play.  (also note that I am pretty much kidding about this. Soccer, “futbol,” is just fine if you like sports where the games last like eight hours and the final score is 1-0 if you are lucky. Riveting.)

We start our Thanksgiving adventure at the beginning: Atari’s Football.  This is 4-on-4 football at its finest.  And I mean every word of that sentence.  Having said that, this game is actually pretty impressive for what it is and when it came out.  Sure there are only 4 players per team and those players possess all the mobility of a wet brick, but you do get 5 plays to call for each side of the ball, you can pass on any play that isn’t a punt (a nice nod to the “option” play for you college football fans), and the basic rules of tackle football remain intact.  The game must be at least a little good because we played it non-stop back in the day.  We would have actual tournaments and marathon session of Football.  And somehow, through sheer determination and lack of better options, we got good at it.  Passes were routinely intercepted, tackles behind the line of scrimmage would occasionally turn to real-life fisticuffs, and a win meant bragging rights, at least until the next game started five minutes later.  Sure, this was all we had in the way of video game football back then, but if it had been unplayable, we would have just gone outside or God forbid made a stab at setting up that incomprehensible Electric Football game…shudder…

I think the real charm of Football is its pure simplicity.  There is nothing complicated here and if you only play it for a couple of minutes and allow the sluggish controls and absolute flicker fest to jade you, chances are good this game is going into the pile.  But, if you get a friend and sit down with Football for four or five games, pretty soon its appeal will become obvious.  The fun of this game lies in seeing just how much you can do with what little you are given.  Touchdowns do not come easily.  Passes are tricky to execute and a smart defender will almost always come away with an interception.  Rushing yards are earned, not given, and the wrong defense can open up an entire side of the field for a goal line sprint.  And there is punting! Like I said, all the basic elements of real football are here.  Give the game some time and you’ll find out why it still gets pretty high marks from reviewers.  Besides, that small green field and pink and white players is a classic screenshot that is forever a part of Atari history!

But we can’t be expected to play 4-on-4 football all day, not when the VCS is capable of so much more, like, oh say, 5-on-5 football!  Yes, kids, that’s right, real 5-on-5 football is possible for the 2600 and it is coming your way from your good friends at M-Network in the form of Super Challenge Football!  Real pigskin action where you create and call the plays!  Unlike Football, Super Challenge Football allows you to design your own offensive and defensive plays.  At the start of each play you give each player on your team (they call them linemen, but in football logic nothing about that makes sense) an assignment.  You can send them out to receive, stay in to block, run a fake pass route, etc.  On defense you can assign pass coverage or send defenders in to rush the quarterback.  SCFootball also features a side-scrolling playfield, a fairly impressive feat for the time.  However, there is some trade-off.  There is no kicking or punts of any kind.  You have four downs, fail to get a first down and you turn the ball over on the spot.  The scrolling isn’t silky smooth and there is some stutter if you really get a run going. 
The upsides of Super Challenge Football greatly outweigh any of the above drawbacks.  Designing your own plays lends a customization to the game that the five static plays in Football sorely lack.  “Programming” your plays is simple and quick.  The action is fast-paced and smooth (except maybe when you are running and the field is scrolling to keep up).  Your players actually move with some agility and speed although the defenders do move faster than your receivers (I recommend a zigzag strategy).  Defensively, you have more strategy options and getting your players into position to make a play is easier.  The passing game is simple, but requires smart decision making. Perhaps the most impressive features of SCFootball are the graphics.  Of all the VCS football games, SCFootball may look the best.  The field is bright green with clean markings including yard numbers.  Down and distance markers are also present on screen and the score displays are large and sharp.  Despite having ten players active on the field, there is no flicker and while the players are of the typical hunchy, lumpy M-Network stock they are solidly rendered.

Super Challenge Football is a winner and definite fun for two-players, but what if you don’t have two players?  So far, both of our VCS football games have been excellent two-player affairs, but having a friend to play with sometimes isn’t an option.  Fortunately, our friends at Atari were also aware of this and created a second football game as a part of their RealSports game line.  RealSports Football is a complete departure from their original Football offering and like SCFootball, RSFootball is a side-scrolling tackle football game that also features 5-on-5 action.  But that is where the similarities end.

Continued after the jump!

A Closer Look at Wii Fit and Wii Fit Plus

A Closer Look at Wii Fit and Wii Fit Plus for the Nintendo Wii
(go figure!)

“My name is Stan and I lost 35 lbs. on the Wii Fit plan, and you can too!”

Stan Before: A Giant Pant-Load

Stan After: Damn Handsome

Sounds too go too be true?  Well, bizarre as this is, it is true.  I did lose 35 lbs. thanks to Wii Fit (and some dietary amendments), and today I’m going to tell you how.

My wife ordered this thing so that it would arrive at our home or release day.  An exercise game?  I had about as much interest in this “game” as Benedict Arnold at a loyalty convention. How much fun can it be to have a video game tell you that you are fat and then “encourage” you to do something about it?  No thanks, I’ll pass.  But, it comes with this new peripheral, some kind of “balance board” that is going to open all kinds of new doors in the gaming world.  When I heard “balance board” I was thinking some kind of “Pogo Ball” contraption that was going to result in a lot of skinned knees and elbows and some broken furniture.  This “Wii Fit” thing was shaping up to be the biggest waste of money since Zima.  Great.

The day it came, I was at work (of course), but my wife was at home anxiously awaiting the arrival of this beast.  Before I could get there, she was calling me, trying to describe just how awesome it was and how she had already worn herself out doing all of the activities and playing all the games.  Despite her enthusiasm, I was still envisioning something more along the lines of Richard Simmons, a medicine ball and a sheet of plywood in my living room.  And yet, I went home that afternoon anyway…

Fortunately, the people at Nintendo are smarter than I am, and they had this whole thing figured out way ahead of time.  I should have trusted them, after all I was skeptical of the Wii Remote before it hit, back when they were calling it a “wand,” and that turned out to be one of the most innovative controllers since the D-Pad.   But I digress.  Allow me to start by saying the “Balance Board” was far slicker than my imagination ever gave it credit for.  The thing is sleek, and nothing like the see-saw that the words “balance board” evokes.  Basically it is like a super-smart step aerobics platform.  Just by standing on it, it can tell the Wii Fit game all kinds of personal information about you including where you put the majority of your weight when you stand, and even if you flap your arms or wiggle your bum.  Just seeing the quality of this peripheral filled me with a bit more confidence and emboldened me to give Wii Fit a bit of a chance.

Excitedly, my wife encouraged me to set up my profile and get started.  The game asks some personal information and compiles the data into a profile for you that includes, most importantly, your Body Mass Index (BMI).  It is this number that will be your barometer for success during your Wii Fit journey.  Next you’ll have to weigh in.  This step is not for the faint of heart and you are probably going to be shocked at the result, but hang in there, things will get better!  In the interest of full disclosure, I weighed in around 235lbs. my first time.  The game then proceeded to tell me I was “obese.”  While the game is encouraging, it is also brutally honest.  Be ready.
 
The good news is, after the game is done telling you that you are a giant pantload, it helps you create a plan to rectify that condition. Step one in this process is setting a fitness goal to work toward; this goal is based on your BMI.  Using your original BMI as a launch point, the game will tell you your “ideal” BMI and then ask you to set a goal working toward that number. (I say “ideal” because one of the game’s only flaws is to undervalue things like muscle mass and body type, thus your ideal may be unrealistic) After setting your goal (chose conservatively, as chances are good getting started is going to be tough), you are ready to move on to the real meat of the game: the workout.

Wii Fit’s real strength is the variety of workouts and depth of customization available to you.  There are four categories to choose from: Yoga, Strength Training, Aerobics, and Balance Games.  Each category provides a number of activities to participate in and different, increasing levels of difficulty therein. The Yoga section provides a pretty standard compliment of yoga poses and stretches that provide an exceptional warm-up routine and a great way to let go of some stress.  The Strength Training selections will really give your entire body a workout.  It is here that you are going to find out just how out of shape you are.  There are a number of different exercises that work your entire body.  In the Aerobics section you will find a handful of sweat-inducing activities that will push you to burn those calories you picked up from that box of Klondike bars.  While some are repetitive, like running in place or step-aerobics, others are a bit more engaging like the Boxing and Hula Hoop programs.  Finally, the area that will likely get the most play, Balance Games provides a slew of different games that will test your ability to utilize your center of gravity.  This is probably the most “fun” section of the four, but the games do work to your advantage.  A well-balanced work-out includes a mix of activities from all of these categories, but you are free to do as much or as little as you like.  The more you do an activity and the better you get at it, you will unlock more advanced versions that push you even further.  This helps keep the game challenging and fresh for a while…
My personal favorite is the Yoga section.  Up to this point I had always viewed yoga as kind of goofy, but after doing some via Wii Fit, I have been converted.  The stretches are diverse and there is no pretension when you are bending your butt over your head in the comfort of your own living room.  I also like the Balance Games when I need a break or for a light, relaxing jaunt after a hard day at work.  The Aerobics are hit and miss, but the Boxing and Basic Run activities are what I go for when I need to work up a sweat.  My least favorite is definitely the Strength Training, but this may be mostly due to the fact that I have a physically demanding job that gives me a pretty good strength workout already.  This is not to say that the exercises are bad, they simply do not appeal to me as much as they may others.

Me-ow!

Part of your workout experience is getting to select the trainer you work with.  This trainer is designed to introduce you to each activity, monitor your progress, and encourage you to do better.  You may select from either a male or female trainer.  This feature is extremely helpful in making sure you are doing the activities properly and getting the most benefit from each (you’ll not need them in the Aerobics or Balance Game sections).  Plus, I think I developed a crush on my female trainer, but no amount of pleading or coercion could get her out of her warm-up suit, so I think my love will go unrequited.

At the end of each workout, your little balance board buddy (another helpful in-game pal) will record your workout time both for the day and overall.  You may also track your stats more specifically through your profile where you can see how much time you spend on each kind of activity as well as how you are progressing toward your overall goal.  There is even a section where you can record activities you do outside of Wii Fit, although they will not count to your time in the game.  Ultimately, Wii Fit wants to be your workout guide directing you toward a fitter you.

And such a thing is possible, but only if you keep it up.  Wii Fit isn’t a game you play once in a while, or take off the shelf and play intensely for a week or two, then put away for a few months.  Wii Fit is a commitment.  Make no mistake.  If you are not in this to lose some weight and workout on a consistent basis, then maybe you should stick to HALO online and Cheetos.  But for those looking for a change for the better, it can be accomplished with help from this game.  The key is consistency.  The game will even tell you that you will get the best results by spending at least 30 minutes each day doing something, anything, in the game.  At the very least, you are encouraged to do what is called a daily “Body Test.”  This test is a simple 5 minute process that basically amounts to weighing in and playing a few simple balance games.  It will enable the game to monitor your progress and give you a Wii Fit age based on how well you perform the balance games.  The age is entirely arbitrary, but the real value is the weigh-in as it will tell you if the work you are doing is paying off.  Your Body Test results are recorded on your calendar and charted on a graph to help you keep track of your efforts. To make keeping up with your Body Test even easier, the good people at Nintendo offer a Wii Fit Channel free of charge that allows you access to the Body Test without even needing the game disc.  Nintendo is doing everything they can to get that large pizza off your hips, the rest is up to you!

Recently, the good people at Nintendo realized what I did about a year ago: after a while, Wii Fit can get a little stale.  Oh, sure, there are lots of activities and things to unlock, and you can probably always stand to lose a little more weight, but it would be nice to inject some fresh life into your routine, especially after doing the Expert Boxing activity 30 days in a row.  As if sensing that my resolve was faltering, and it was, Nintendo announced the upcoming release of Wii Fit Plus, an all-new expansion to my existing Wii Fit that would include a bevy of new exercises and an even greater level of customization!  Could it be?
It could, and more!  Wii Fit Plus arrived about a month ago and breathed new life into my flagging interest in the original base game.  Wii Fit Plus features a host of new activities scattered across the four categories (but accessible via the “Training Plus” menu) as well as a new feature that enables you to create your own specific workout routines.  I’ll get to the cool new activities in a second, but first let me extol the virtues of this new “My Wii Fit Plus” feature, following the jump.

A Closer Look at Halloween

A Closer Look: Special Halloween Edition Trick or Treat!

Halloween.  No holiday begs for video games to be themed around it more that this one, and for good reason.  Halloween is all about monsters and skeletons and aliens and all kinds of other scary things that you can vanquish with blasters, swords, fire, or just run the hell away from in any number of video games throughout the ages.  When autumn rolls around and Halloween is getting big in the window, it’s always fun to make a run through some of the very best Halloween-type games in my collection.  Often played are classics like Haunted House and Frankenstein’s Monster for the Atari 2600, or Friday the 13th and the Addam’s Family for the NES, and you can never go wrong, any time of year, when pulling out any Castlevania game and giving ol’ Drac a run for his money.  But Closer Look isn’t about my favorite games or whimsical trips down memory lane (don’t hold me to this, chances are good somewhere down the line it will be about both…).  No, Closer Look is about shedding some light on the darker corners of the gaming universe and that means it is time to reach deeper into our hollow plastic pumpkin and pull out a couple of Tricks and Treats in the classic gaming world and double check them just to make sure that creepy guy who lives on Valentine Street didn’t stuff them full of razor blades.  So without further ado, I give you A Closer Look’s Halloween Special: Tricks and Treats for the NES!

First, the Trick.

We’ll get this nasty surprise out of the way and that will make the Treat all the sweeter!  Reach in to that plastic pumpkin and pull out THIS:  Dr. Jekyll and Mr. Hyde!  A Robert Louis Stevenson classic all about the dual nature of man and the constant internal struggle between the ego and the id.  A fascinating tale that would most certainly make a fascinating video game, right?  Yeah, and eating that unwrapped popcorn ball is a good idea as well…

Dr. Jekyll and Mr. Hyde for the NES is set up with promise.  It follows the premise of the story to the letter.  You are Dr. Jekyll and all you want to do is get to the church on time so that you can marry your beloved Miss Millicent.  To do this he has to travel across London (which is remarkably big in 1886!) all the while avoiding becoming upset lest he should trigger his transformation into his darker alter ego: Mr. Hyde!  The trip should be simple.  What could go wrong?  Walk across London, no problem…well, unless you are the extremely sensitive Dr. Jekyll that is.  Apparently anything and everything will set this guy off.  Now I can see becoming upset whilst being pummeled by barrels, pooped on by birds, or exploded by bombs.  These things are annoying and potentially injurious.  But the good Doctor is also set off by barking dogs, walking into spider webs, and the occasional agitated passer-by. As a matter of fact, there is very little in this game that doesn’t royally frustrate Dr. Jekyll.  How is this guy getting married?  I’m thinking two months into married life and Jekyll is going to be Mr. Hyde all the time.

It is clear that aggravation is impossible to avoid, thus you are inevitably going to spend some time as Mr. Hyde.  When this change takes place, you will be transported to a dark, twisted version of London filled with all kinds of bizarre monsters.  Fortunately, Mr. Hyde doesn’t really care about being upset by such things and actually gets his kicks off blasting them into oblivion with his Psycho-Wave (a little detail RLS failed to clue us in on back in 1886).  Vaporizing these phantoms seems to have a calming effect on Mr. Hyde and will eventually result in a return to his more docile Dr. Jekyll state.

The object of the game is to reach the church as Jekyll before Hyde catches up to him.  As you travel toward the church as Jekyll, each transformation into Hyde will progress him along a course toward Jekyll.  Should Hyde reach Jekyll, Divine Intervention will cause lightning to strike Hyde and Miss Millicent will be stranded at the altar as her betrothed becomes a crispy critter.  It is your job to guide Jekyll through London avoiding the myriad of annoyances that plague you.  When you do become Hyde, you’ll have to blast away at the monsters as quickly as possible to trigger the transformation back to Jekyll as time marches you closer to that fateful bolt.

This really is set up as a would-be classic.  The gameplay is unique, the concept successfully implements the plot elements of the time-honored story, there is a variety of things to do in the game, and there is an arcade feel that makes replay seem likely.  Yep, and that popcorn ball is all covered in caramel and glistens in the porch light.  But let’s not forget about that guy on Valentine St.  Sure, the game is set up to be a winner, but that is where the winning ends.  The game is bad.  At its best it is an exercise in frustration.  After about ten minutes chances are good you’ll be the one turning into Mr. Hyde.

The problems are most evident in the Jekyll levels.  The good doctor moves like he’s made of wood.  I’m not expecting Flo Jo here, but for a man looking to make it to his pending nuptials and aware that he is prone to fearsome transformation as a result of mild agitation you would think he would be looking to make better time.  But, no, Jekyll subscribes to the travel doctrine of the tortoise.  That alone wouldn’t be overly frustrating were it not coupled with the doctor’s complete lack of tolerance for aggravation. The game boasts a large Jekyll/Hyde meter that indicates Jekyll’s calmness level, but major instances, like being caught in one of the mad bomber’s blasts, will drain that meter in one shot and it’ll be off to Hyde-land. Even that wouldn’t be a game killer, but the coup de grace is the sheer number of irritants in London and Jekyll’s complete impotence to deal with them.  A good 90% of the characters you encounter are out to piss you off and you have almost no way to avoid being the victim of their animosity.  Jekyll’s defensive options are limited to jumping (best for angry dogs and cats) and ducking (the sling shot kid).  You can also duck into some buildings, but your stay will be limited and timing is essential.  Jekyll’s offensive capabilities are none.  Apparently, the good doctor is a complete pacifist.  The manual states that you can use his cane to poke at people, but all that does is make them even more contentious with him, so there is no effective use for that feature.  All of this adds up to numerous trips to Hyde’s dark London and less and less progress toward the church.

The only upside, Hyde’s adventure is actually fun.  There are plenty of monsters to blast with your PSYCHO-WAVE, you can also punch them, but the wave is primo.  The level design is the reverse of what you travel as Jekyll, so you’ll know if you are getting close to a date with destiny. The impetus is on blasting as many baddies as you can as fast as you can so that you can return to the tranquility of regular London.  You’ll want to be hasty since dark London is auto-scrolling constantly pushing you toward eternity.  Just be careful not to take too many hits as Hyde.  Death as Hyde is the same as death as Jekyll, and while Hyde is tougher, he can be felled if overwhelmed.  Overall, though, your time as Hyde is way more fun than anything you’ll do as Jekyll.  However, since you’ll be coming here often, chances are good that lightning bolt is in your future, no matter how good you get as Hyde…

Irritating gameplay aside, Dr. Jekyll and Mr. Hyde features solid graphics, with interesting detail and colorful backgrounds (as well as the largest bird poop in video game history!).  The music gets redundant fast, but only because of the lack of variety and the amount of time you’ll spend replaying levels.  The game does feature endless continues so you can beat your head against the wall as long as you like.

Dr. Jekyll and Mr. Hyde is a true Halloween trick.  It looks good, it is built on a solid premise, the gameplay successfully implements that premise in an innovative and interesting way, and it has enough variety and challenge to make replay seem likely.  However, it fails to execute on the most fundamental level and fails to be fun.  If you think Dr. Jekyll spends a lot of time in an irritated state during this game, that will be nothing compared to the out-right rage that will take control of your mind.  I kid you not, this is the one and only game in my collection that has actually been yanked out of the console and sent flying across the room into, and nearly breaking, a window.  The game succeeded in turning me into Mr. Hyde, but it failed to deliver in any other way.  In case you are wondering, no, I have never successfully completed the journey to the chapel and the good doctor remains a bachelor in my world. (ed. note, this has recently changed, I finally got the good doctor to the church and never have to ever, ever again) If you are lured in by this game, don’t blame me, you have been warned.  Stay off of Valentine Street.

And with that horrible experience behind us, we can put our metal detectors away and unwrap that ever-shrinking Snickers Fun Size bar and have ourselves a little treat: Frankenstein: The Monster Returns! (also NES) Unlike the game described in the above section, Frankenstein goes above and beyond what it needs to be and ends up being quite a nice little game.

Intended as a sequel to the timeless Mary Shelley tale, Frankenstein: The Monster Returns tells a story years after the monster was put to death (although it departs from the original a bit to do this).  As the title indicates, the Monster has indeed returned from the dead and has taken his revenge upon a small village by abducting the Elder’s daughter, and consequently your love interest (what are the chances?), Emily.  To prevent a second (third?) trip to the grave, the Monster has also enlisted the aid of a bevy of classic horror creatures to ransack the town and stymie any would-be heroes.  This means bad news for you, since you are, in fact, a would-be hero!  And it is up to you to defeat the Monster’s hordes and rescue fair Emily.

Frankenstein: The Monster Returns is a side-scrolling adventure game featuring a number of levels, scores of monsters to defeat and lots of items and power-ups to find and collect.  The game follows the standard formula with each level consummating in a boss fight.  The story is integrated into the gameplay much in the way such is accomplished in Faxanadu.  People you meet and talk to will give you items and tips as well as develop the storyline, but these inclusions are fairly unobtrusive and skippable if you are playing through.
While not particularly long, the levels are diverse and feature lots of areas to explore and items to find.

The main appeal of this game is the simplicity of the design juxtaposed with the surprising amount of depth that can be discovered with dedicated playing.  The fact that it is littered with monsters to vanquish doesn’t hurt.  The power-ups are generously spaced and, of the levels I have played, there are few “stuck points” where you just beat your head against the wall unable to progress.  There are all kinds of secret passages and buildings to explore and the levels are long enough without being tedious and repetitive.  The game isn’t a cakewalk, by any means, but there is enough here to keep players challenged and still motivated to try again to put the demented Monster to rest, should they falter in their attempt.  Best of all, the game is fun.  There is something undeniably appealing about taking a sword and slashing your way through a collection of hideous monsters.  This may be what is likewise so compelling about games like Castlevania.  I would wager that, while not as iconic or classic as Castlevania, Frankenstein: The Monster Returns, is just about as good.

Graphically, the game is solid, if a bit muddy.  They aren’t going to win any awards, but they aren’t going to inhibit your ability to play the game, either.  The cut scenes are interesting for a game of this ilk and do a nice job of advancing the plot.  The main drawback is that the game is relatively rare and therefore in fewer collections.  If a copy can be found, it is well worth getting a hold of.    To be honest, I haven’t gotten nearly as far on this game as I would like.  There is a sea monster that keeps kicking my butt when I fall in the lake.  The good news, there is a password feature that allows you to start over at the beginning of any level, so one day I will get past that bastard and on to the Monster himself!

Thus, Frankenstein: The Monster Returns is a true Halloween treat, one you might have missed while pouring through your more popular, holiday appropriate NES titles.  Sure, you’re going to play Castlevania and Friday the 13th this year; you’re supposed to.  But while you’re thumbing through Monster Party and Maniac Mansion, don’t forget to give Frankenstein: The Monster Returns some serious love.  Oh and be smart, don’t ruin a perfectly good holiday by thinking Dr. Jekyll and Mr. Hyde can end in anything other than unmitigated rage on your part.  Avoid, trust me.  And if you have the time, you may also want to take a look at Uninvited, or Shadowgate by Kemco-Seika.  But those are stories for another Halloween….


Have a great Halloween and join me back here in two weeks when I’ll get topical and take a Closer Look at
Wii Fit and Wii Fit Plus for the Nintendo Wii.  Does it work?  Is it fun?  Answers to these questions and more, in two weeks!